miércoles, 3 de diciembre de 2008

Pop Art (Felo)

Pop Art This movement was marked by a fascination with popular culture reflecting the affluence in post-war society. It was most prominent in American art but soon spread to Britain. In celebrating everyday objects such as soup cans, washing powder, comic strips and soda pop bottles, the movement turned the common place into icons.
Pop Art is a direct descendant of Dadaism in the way it mocks the established art world by appropriating images from the street, the supermarket, the mass media, and presents it as art in itself.
Artists such as Jasper Johns and Robert Rauschenberg took familiar objects such as flags and beer bottles as subjects for their paintings, while British artist Richard Hamilton used magazine imagery.
It was Andy Warhol, however, who really brought Pop Art to the public eye. His screen prints of Coke bottles, Campbell's soup tins and film stars are part of the iconography of the 20th century. Pop Art owed much to dada in the way it mocked the established art world. By embracing commercial techniques, and creating slick, machine-produced art, the Pop artists were setting themselves apart from the painterly, inward-looking tendencies of the Abstract Expressionist movement that immediately preceded them.

Origins it was a continuation of certain aspects of abstract expressionism, such as a belief in the possibilities for art, especially for large-scale artwork. Similarly, pop art was both an extension and a repudiation of Dadaism. While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with detached affirmation of the artifacts of mass culture.
In America Temporally, the British pop art movement predated the American; however, American pop art has its own origins separate from British pop art. During the 1920s American artists Gerald Murphy, Charles Demuth and Stuart Davis created paintings prefiguring the pop art movement that contained pop culture imagery such as mundane objects culled from American commercial products and advertising design.
Pop artists reproduced, duplicated, combined, overlaid and arranged the endless visual details that make up American society, introducing shifts and transformations and acting like commentaries. The most famous American Pop artist, Andy Warhol specially had a lifelong interest in movie stars which first surfaced in his art in 1962 when he begun working on portraits of Marilyn Monroe. Warhol attempted to keep his personal fascination with fame from showing through too clearly in his works, preferring to leave their meaning open to the interpretation of viewers. The Pop and media role was summarized with Warhol's famous quotation:" In the future everybody will be world famous for fifteen minutes". Television, newspapers, magazines and Hollywood are just producing new images every day. They are only enlarging the popular culture. Everything is just an image, ready to be consumed.

Main Pop Artists:

Andy Warhol
Roy Lichtenstein
Robert Rauschenberg
Tom Wesselmann

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